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Worship in the Melting Pot Logo
Worship in the Melting Pot

by Dr Peter Masters

Why not also listen to Dr Peter Masters speak on this subject? Four sermons are available here.
These sermons may also be downloaded from our RealAudio page.

Is True Worship Intelligent or Ecstatic?
Leading and Formulating Harmonious Worship
Biblical Rules for Instruments and Dancing
The Right Ingredients of Every Act of Worship

These articles are taken from 'Sword and Trowel' magazine No.3 & 4, 1998 and No.1 1999.
© Copyright Metropolitan Tabernacle, London. Used by permission.

Footnotes for - Brass, Strings and Percussion? - The facts about Bible instruments and the strong rules restricting their use in worship

1  David’s first assembly of instruments for the first and disastrous recovery of the ark included timbrels or tambourines (2 Samuel 6.5, 1 Chronicles 13.8). While the ark remained at the house of Obed-edom, David radically reformed and revised all the arrangements for its transportation to bring them into line with the law. At this time he was given (with Gad, the king’s seer) new commands for musical instruments (2 Chronicles 29.25). The timbrel was not now included, and never again appears in any list of instruments for direct or Temple worship. The second stage of the recovery of the ark (representing the ongoing rule) was accomplished without them. 
  The cymbals were probably mainly used as a means of conducting the orchestra, as in 1 Chronicles 15.19 only Asaph, the chief musician, and other leaders play them. Back

2 The history of the use of the trumpet in worship went back to Numbers 10 where God commanded two silver trumpets for the calling of the people to the Tabernacle. The priests were to play them, and continued to do so in future generations. They were to be blown on special feasts and in the beginning of months over the burnt offerings to remind the people of the nature of their historic deliverance. They were never instruments for accompanying ‘ordinary’ worship. Generally, the number of trumpets used on special occasions continued to be two (1 Chronicles 16.6). Exceptionally, 120 priests played trumpets at the consecration of Solomon’s Temple. This was the largest crowd ever gathered for worship, and the largest and longest burning of offerings. Back

3 The orchestra assembled to accompany the ark for the second stage of its recovery (an open-air procession) had three cymbals, eleven lyres and six harps. Once the ark was inside the tent the orchestra was reduced to eight harps and lyres, one cymbal and two trumpets. The size of the orchestra changed, but never the types of instrument. The restriction was maintained. In 1 Chronicles 25.1-7, the total number of musicians was 288, of which about 260 were the choir. Back

4 ‘Synagogue’ is a New Testament word, but we use it here as a useful term for regional and district centres of worship in other words, the Jewish local church. Back

5 With the single exception of Psalm 5, which was to be accompanied with a lone flute. This very plaintive psalm was sung on pilgrimage.  Back

6 Some expositors say this speaks of both the earthly sanctuary and the wider firmament. In this case, this psalm is another which covers the whole spectrum of life from Temple worship to civic and social life. Back

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